ATTRIBUTE
|
ADVANTAGE |
DISADVANTAGE |
EMPHASIZED IN GUIDED CHAOS?
|
EMPHASIZED IN OTHER ARTS?
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Forms ("kata", etc.) training
|
Increases discipline, tradition, concentration, athletic condition, memorization of specific techniques
| Programs your nervous system to react roboticly to true chaotic violence with patterned responses ("the way you train is the way you fight") resulting in freeze ups and inappropriate defense/offense for any given moment
|
Never |
Most |
Closed fist strikes (excluding hammerfists)
|
Breaks bones, crushes soft tissue
|
Inadequate vs large attackers, can cause injury to hand when striking large bones, skull, requires perfect form or risks wrist injuries
|
Some, where appropriate
|
Most
|
Open hand strikes
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Breaks bones, crushes soft tissue; safe for hitting large bones, skull; greater defensive sensitivity; penetrates enemy defenses better |
None
|
Absolutely |
Some
|
Ripping, tearing, shredding, gouging strikes
|
Easily applied, almost impossible to defend
|
None offensively. Requires special training to defend AGAINST |
Absolutely
|
Offensively: few. Defense against: none that we know of.
|
Head butts, biting
|
Easily applied, difficult to defend |
Head butting is usually taught incorrectly in many arts and can hurt you more than the enemy
|
Absolutely
|
Few
|
Short range low kicking and stomping
|
Easily applied, almost impossible to defend
|
None
|
Absolutely
|
Some
|
Internal or "soft" style techniques
| Doesn't require an Olympian's body to work. Virtually only way to defeat a much larger, stronger, skilled enemy
| Almost never taught as pure combat anymore. Practitioners often divorced from true forensic reality of violence
| Absolutely, but taught differently from traditional "soft" internal styles such as aikido, tai chi, bagua, hsing i |
see note on left |
External or "hard" style techniques | Rewards those with superior physical attributes with limited increases in hitting power
| Less useful for smaller, weaker individuals and exposes them to more danger. External training often decreases balance, sensitivity, looseness and adaptivity.
| Guided Chaos teaches you to be 99% soft (yin) and only 1% hard (yang) at the moment you make impact then become soft (unavailable) again.
|
Hard styles make up the majority of martial arts systems in the world.
|
Intensive balance training
|
Hit, defend, counter-attack, survive and recover during wild fighting
|
Must be taught dynamically and appropriately to the chaos of combat
|
Absolutely |
Virtually none that we know
|
Body unity training for power
|
Utilize full plyometric power of entire body mass and strength while maintaining looseness
|
If taught incorrectly creates, tight, slow, weak and clumsy responses
|
Absolutely |
In some internal arts, usually incorrectly within a patterned form with no chaotic combat application
|
Looseness training to avoid and survive impacts, find openings
|
Ability to keep on fighting and go home
|
None
|
Absolutely |
Virtually none that we know of; sometimes in boxers, wrestlers and internal styles, usually misdirected and incompletely
|
Sensitivity training
|
Ability to sense openings and incoming attacks before your eyes can
|
None
|
Absolutely |
Supposed to be taught in internal styles, almost always incorrectly. Sometimes found in elite grapplers
|
Awareness and fear-focusing training
|
Avoid violence before it happens; channel adrenaline
|
Can create rigidity and paranoia if done improperly
|
Absolutely |
Some
|
Modified Native American groundfighting (Guided Chaos Groundfighting)
|
You never know if you'll end up on the ground; allows you to strike and remain free of entanglement. No relation to MMA or submission grappling
|
None. Difficult for BJJ, MMA practitioners to learn since they are usually taught: 1-sportively with rules to "win" instead of disable and escape. 2-continuous entanglement with bigger, stronger enemies; also makes you vulnerable to multiple attackers
|
Absolutely |
Virtually none that we know
|
Knife, stick and gun fighting
|
A supreme advantage--maybe
|
Knife and stick usually taught with complex, flowery flourishes incompatible with life-and-death combat. 99% of gun fighting taught unrealistically as depicted in movies & TV. Disarms taught are usually nonsense.
|
Absolutely |
Virtually none that we know
|
Proven in War (True WWII Combatives)
|
Basic, quick striking methodology used in thousands of bloody, documented engagements in World War II by U.S. soldiers. Simple, practical, no-nonsense, reality based, survival techniques for ending a fight and going home |
Politically incorrect. Popularly taught today in watered-down, emasculated versions bearing little resemblance to the original.
|
Absolutely |
A few, if that
|
Total Adaptivity, Improvisation and Spontaneity in the face of Real Violence
|
Real violence is chaos and constantly changes. No two fights look exactly the same. What happens if your counter-attack doesn't work? You need to adapt to survive.
|
Almost impossible to learn with traditional martial art/self-defense teaching methods.
|
That's all we do!
|
None that we know of as standard practice. Sometimes acquired by elite, super-trained individuals who are able to dissolve everything they've ever learned into fluid, spontaneous responses.
|